Get all 9 Carinthia releases available on Bandcamp and save 20%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Fields, Leaving the Night Behind Us, All I Have is Christ (instrumental cover), All I Have is Christ (cover), We Will Be As One, Deora Ar Mo Chroi (cover), A Search For Somewhere Else, Before the Throne of God Above (cover), and 1 more.
Carinthia Minneapolis, Minnesota
Upland is the projects of Daniel Jorgensen (Carinthia).
If you like Carinthia, you may also like:
When I Drifted I Heard A Faint Melody
by Aural Method
supported by 127 fans who also own “Memories That Deny Themselves”
I suffer from Generalized Anxiety Disorder (GAD). When I'm having a really bad day, this particular album is the ONLY 100% real way to soothe it all away. I have used this for years as medicine. These songs bring tears to my eyes. It's wonderful to listen... This album has a larger than life meaning to me. Know this Matthew, you are an angel. Your work is not just music, it's more like godsend magic. Thank you so much for this gem, I now finally have this as FLAC to listen with my beyerdynamics.
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Carry Us All Away
by Lowercase Noises
supported by 126 fans who also own “Memories That Deny Themselves”
I love it, easy to dream away
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This Is For Our Sins
by Lowercase Noises
supported by 124 fans who also own “Memories That Deny Themselves”
There is something haunting about the family having zero clue about WW2 in its entirety. I remember learning about them and wondering and I still wonder now how many are still in the wilderness, driven there by atrocities or not. Many find being alone to be fear inducing. But they left and isolated out of fear to begin with. This music is just the tip of the iceberg for how haunting and emotional the situation is. It does its job as well as possible, though. Amazing.
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Impostor Syndrome
by Orbitalpatterns
From NYC come these 10 songs shrouded in spectral synths and mysterious textures that alternately soothe & unsettle
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Linoleum (Original Motion Picture Soundtrack)
by Hark Madley
The score for the quirky film starring Jim Gaffigan and Rhea Seehorn uses a lush pallette of synths to evoke a wide range of moods.
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The Brooklyn artist's latest musically articulates in exquisite detail the small details about living with mental illness.
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